Many of my paintings are created on a large scale, allowing the viewer to experience more than an image: they become environments to enter.
The dimensions of the canvas play a fundamental role in my artistic language. Standing before a large work, the viewer is no longer simply observing the sea or the movement of water or a flower from a distance. Instead, they are invited into it.
The surface of the painting expands beyond representation and becomes an immersive space where light, reflections and water droplets surround the gaze. The experience is similar to standing at the edge of the ocean, floating on water, or becoming absorbed in the ever-changing patterns of a liquid landscape.
Through scale, I seek to create a physical and emotional sense of presence, transforming each artwork into a place of contemplation, connection and immersion.
I do not paint the sea as a landscape to be observed. I paint the experience of being within it.
Through large-scale compositions, water becomes a space that surrounds the viewer, dissolving the distance between observer and image. The painting is no longer a window onto nature, but an invitation to enter it.